February 2012
3 posts
“We found that in 2007, fame was the number one value communicated to preteens on...”
– Yalda T. Uhls: Kids Want Fame More Than Anything
“When Fame Replaces Art”
– John Seed: Writing About Art and Artists: When Fame Replaces Art
January 2012
7 posts
“Say No to 72 dpi”
– Say No to 72 dpi
“It’s not that hard to write a script, it’s just really easy not to.”
– Building Suspense With Ti West and ‘The Innkeepers’ - NYTimes.com
“Those who have used Facebook longer agreed more that others were happier, and...”
– Facebook: Friends’ Happy Pictures Make You Sad? - Yahoo! News
“Street art is the best abstract painting of the past 60 years. Rationalizing one...”
– Mat Gleason: Twelve Art World Habits to Ditch in 2012
“Somewhere along the line—most likely amidst the loud noise of a relentless...”
– Occupying Art | Art21 Blog
December 2011
7 posts
“It was easy enough to posit what was missing — it was there every other day of...”
– Christmas Morning Brings Rare Serenity to N.Y.C. - NYTimes.com
“private struggles with public commitment”
– Selma Dabbagh’s top 10 stories of reluctant revolutionaries | Books | guardian.co.uk
“By and large we’re getting high-polish mediocrity. You had really, truly,...”
– Strong Showing at Museums, While Galleries Seemed Complacent - NYTimes.com
“writing from a place of fear and concern guarantees only one result: mediocrity.”
– Showtime’s ‘Homeland’ Must Find Balance in Season Finale - NYTimes.com
“I don’t actually believe many people in the art world have much feeling...”
– Charles Saatchi: The hideousness of the art world | Comment is free | The Guardian
November 2011
13 posts
“The No 1 agenda item: get the money out of politics. Most often cited was...”
– The shocking truth about the crackdown on Occupy | Naomi Wolf | Comment is free | guardian.co.uk
“Part of the anxiety of gift-giving in New York at this moment in history arises...”
– The Agony of Gift-Giving in a City That Has Seen Everything - NYTimes.com
“It’s surprising for the same reason that evolution theory is still...”
– Composers As Gardeners | Conversation | Edge
“My topic is the shift from ‘architect’ to ‘gardener’,...”
– Composers As Gardeners | Conversation | Edge
“When you’ve made certain compromises in your life, you then look for the...”
– In the Battle of the Open Heart - The Brooklyn Rail
“It’s difficult to change an industry, set a world record, land big...”
– My Yahoo!
“Everywhere you go on the Internet there are rooms you don’t understand, people...”
– Dealing With Your Own Cultural Irrelevance (at Age 28) - NYTimes.com
“The Internet is basically like being at a house party and trying to find the...”
– Dealing With Your Own Cultural Irrelevance (at Age 28) - NYTimes.com
“we must believe in our doctors if we are to gain the full benefits of their...”
– The nocebo effect: Wellcome Trust science writing prize essay | Science | The Observer
“if an art student were given an assignment involving Pop Art, he/she would be...”
– Work of Art Recap: Jerry Saltz Works Through the Embarrassment — Vulture
October 2011
6 posts
Watch(via Century of the Self : Adam Curtis : Free Download & Streaming : Internet Archive)
“Paul Mazer, a Wall Street banker working for Lehman Brothers in the 1930s, is...”
– The Century of the Self - Wikipedia, the free encyclopedia
“All that is, seems, and is visible to us because we perceive it by the reflected...”
– ::: Soup :::: Field Trip: Gerhard Richter
“My problem is learning how to get in trouble. Learning how to get into trouble...”
– STUDIO CRITICAL: PAM CARDWELL
September 2011
7 posts
http://4.bp.blogspot.com/-SnaZ1_J9B_4/TnnYAK1k8eI/A... →
“Summarizing a body of recent research, Malcolm Gladwell wrote that artists who...”
– The Social Animal: The Hidden Sources of Love, Character, and Achievement
August 2011
3 posts
“Top tip: Wait until you have fully realised a project before putting it out in...”
– Photographer Murray Ballard’s best shot | Art and design | The Guardian
July 2011
22 posts
“Holub said, “First of all let me say you can’t misunderstand a poem....”
– Jon Sarkin: The man who couldn’t stop drawing | Amy Ellis Nutt | Art and design | The Guardian
“Even though Sarkin told the truth, the rest of the article goes on to describe...”
– Jon Sarkin: The man who couldn’t stop drawing | Amy Ellis Nutt | Art and design | The Guardian
West Coast of Ireland →
Artist: Robert Henri Date Created: 1913 Accession No.: 58.6 Materials: Oil on Canvas Credit Line: Everson Museum of Art; Museum purchase Dimensions: 26 x 32 inches
